As its beautiful title suggests, something about drawing as an originary practice sits at the heart of Shahana Rajani’s brilliant exhibition, Lines that World a River, the latest iteration of which is at Nottingham…
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Crystal’s round-up of recent exhibitions from Basel…
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The Penitent Review is often a place where we complain about aspects of the art world in ways that the usual magazines are less inclined to publish. But we also like art (sometimes)! So…
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Tom and Crystal discuss corporate sponsorship, public funding, why the system sucks and how to improve it.…
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Tom spends an hour in a cold, damp London garage.…





